Wednesday 24 July 2013
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Race 2 is the sequel to the 2008 hit film, Race.
The story of Race 2 is set in the lush locales of exotic Europe, with a backdrop of gambling and Casinos.
A fast paced thriller that takes the legacy of 'Race1' forward, with high octane action, combined with thrills and twists that have a roller coaster effect, and edge of the seat excitement.
After his beloved wife, Sonia (Bipasha Basu) is killed by a henchmen, Ranvir Singh (Saif Ali Khan) vows to avenge her death. Ranvir learns that a billionaire businessman, Arman Malik (John Abraham) is behind the death of Sonia.
Ranvir decides to pursue Arman and in the process, he befriends Arman's half-sister and business partner, Elena (Deepika Padukone) and fiancee Omisha (Jacqueline Fernandez), who claims to be Sonia's sister, Tanya. He pretends to fall in love with them to get closer to Arman's reason for killing Sonia.
Arman is a ruthless and shrewd businessman who can do anything for money and he cannot tolerate dishonesty in business. How Ranvir beats Arman in his own game and avenges Sonia's death with the help of retired cop Robert D'Costa (Anil Kapoor) and his assistant Cherry (Ameesha Patel) forms the crux of the story.
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Based on a real life group of con artists who pulled off many clever
robberies during 1980s, and robbed famous businessmen and politicians by
pretending to be the CBI or Income tax officers and conducting raids,
on the pretext of conducting raids they would take away all the black
money hoarded by them.
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Based on true incidents during 1980s, a group of four men plan very
clever robberies. They pretend to be fake Govt officials and plan C.B.I.
or Income Tax raids on different locations of India. And finally they
plan big, big ever raid and even for the last time of their lives, when
the Actual C.B.I. gets aware of their game, investigate and follow them.
Written by
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The Prince of Persia: Sands of Time trilogy has always been known for
its tight controls and satisfying environmental puzzles set in beautiful
levels. The series' control scheme has served as a model for countless
other games that also feature an acrobatic protagonist like the Prince.
The same great interface remains in the third game of the series, The
Two Thrones. Like the other two games, you'll find yourself wall
running, jumping, flipping, and vaulting your way up fiendishly designed
environmental puzzles, as well as fighting vicious enemies with the
improved combat system introduced in the last game, Warrior Within. The
Prince has a few new tricks up his sleeve as well, but longtime fans of
the series should still feel right at home.
The story of the Sands of Time trilogy began with the prince's army attacking and conquering the capital of the Indian empire. In the midst of the battle, however, an evil vizier caused the release of the sands of time, wreaking havoc over the city and the surrounding countryside. The prince and an Indian princess named Farah battled together to defeat the vizier, bottle up the sands, and restore the world to a normal state. The story continued in Warrior Within, where an embittered Prince set sail for the Island of Time, seeking sanctuary from an unstoppable time creature called the Dahaka who pursued him endlessly because of his part in unleashing the sands of time. There, the Prince battled not only the Dahaka but also Kaileena, the Empress of Time. Fans of the first game felt the series lost a lot of its soul in Warrior Within, as the suddenly cynical Prince was much more arrogant and less likable.
The Two Thrones begins with the Prince returning to Babylon from the Island of Time with the mortal Kaileena as his new lover (this part of the plot may be confusing to those who didn't see the alternate ending of Warrior Within). As they pull in to the harbor at Babylon, the duo finds the city under siege. Their ship is wrecked by the invaders, and Kaileena is captured by the enemies. You quickly find that the vizier is back and responsible for the uprising. He murders Kaileena and unleashes the sands of time upon Babylon, and the Prince must battle to regain his kingdom and avenge Kaileena's death.
But it's not just sand creatures and other bad guys from the vizier's army that the Prince must fight. With the sands of time infecting his soul, the Prince must also battle the whims of his darker, more arrogant side. Throughout the game's long, 12- to 15-hour campaign, the Prince will morph back and forth between his normal self and the Dark Prince. He'll also have internal dialogues between his split personalities, with the original actor from Sands of Time voicing the normal prince, and a new voice actor representing the sneering, more sarcastic Dark Prince. Here, the game almost becomes self-referential in addressing the popular criticism levied against the arrogant Prince from Warrior Within. The internal strife in the schizophrenic Prince's mind forms a compelling part of the storyline in The Two Thrones, especially because both the writing and voice acting are pretty good.
Turning into the Dark Prince isn't just window dressing, though. In gameplay sequences in which the Prince is his evil self, you'll find that you're much more powerful in combat, thanks to a new weapon called the daggertail. The daggertail is a chainlike weapon that can be swung around to attack multiple enemies, or lashed out like a whip. It also comes in handy for swinging across bars or lamp fixtures, kind of like in Bionic Commando. Unfortunately, this added power comes at a price. Much like playing as the sand wraith in Warrior Within, the Dark Prince loses health constantly, and it must be replenished periodically by recovering sand from defeated enemies or from breaking jars or furniture in the environment. Unlike the sand wraith, though, the Dark Prince doesn't get unlimited use of sand powers. The sequences in which you play as the Dark Prince let you be much more aggressive in combat, as health is never really a concern (you basically get recharged fully with each downed enemy), but the puzzle-solving and acrobatic sequences can be stressful because you have a time limit to get from point A to point B. Fighting as the regular Prince is very similar to in the previous two games in the series. You can pick up dropped weapons for use in your offhand, which lets you do more powerful weapon combos against enemies. Or you can vault off walls and poles, and even use the enemies themselves to augment your attacks. The fights are as violent as ever--you can behead or even cut enemies in half with the more powerful moves.
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The story of the Sands of Time trilogy began with the prince's army attacking and conquering the capital of the Indian empire. In the midst of the battle, however, an evil vizier caused the release of the sands of time, wreaking havoc over the city and the surrounding countryside. The prince and an Indian princess named Farah battled together to defeat the vizier, bottle up the sands, and restore the world to a normal state. The story continued in Warrior Within, where an embittered Prince set sail for the Island of Time, seeking sanctuary from an unstoppable time creature called the Dahaka who pursued him endlessly because of his part in unleashing the sands of time. There, the Prince battled not only the Dahaka but also Kaileena, the Empress of Time. Fans of the first game felt the series lost a lot of its soul in Warrior Within, as the suddenly cynical Prince was much more arrogant and less likable.
The Two Thrones begins with the Prince returning to Babylon from the Island of Time with the mortal Kaileena as his new lover (this part of the plot may be confusing to those who didn't see the alternate ending of Warrior Within). As they pull in to the harbor at Babylon, the duo finds the city under siege. Their ship is wrecked by the invaders, and Kaileena is captured by the enemies. You quickly find that the vizier is back and responsible for the uprising. He murders Kaileena and unleashes the sands of time upon Babylon, and the Prince must battle to regain his kingdom and avenge Kaileena's death.
But it's not just sand creatures and other bad guys from the vizier's army that the Prince must fight. With the sands of time infecting his soul, the Prince must also battle the whims of his darker, more arrogant side. Throughout the game's long, 12- to 15-hour campaign, the Prince will morph back and forth between his normal self and the Dark Prince. He'll also have internal dialogues between his split personalities, with the original actor from Sands of Time voicing the normal prince, and a new voice actor representing the sneering, more sarcastic Dark Prince. Here, the game almost becomes self-referential in addressing the popular criticism levied against the arrogant Prince from Warrior Within. The internal strife in the schizophrenic Prince's mind forms a compelling part of the storyline in The Two Thrones, especially because both the writing and voice acting are pretty good.
Turning into the Dark Prince isn't just window dressing, though. In gameplay sequences in which the Prince is his evil self, you'll find that you're much more powerful in combat, thanks to a new weapon called the daggertail. The daggertail is a chainlike weapon that can be swung around to attack multiple enemies, or lashed out like a whip. It also comes in handy for swinging across bars or lamp fixtures, kind of like in Bionic Commando. Unfortunately, this added power comes at a price. Much like playing as the sand wraith in Warrior Within, the Dark Prince loses health constantly, and it must be replenished periodically by recovering sand from defeated enemies or from breaking jars or furniture in the environment. Unlike the sand wraith, though, the Dark Prince doesn't get unlimited use of sand powers. The sequences in which you play as the Dark Prince let you be much more aggressive in combat, as health is never really a concern (you basically get recharged fully with each downed enemy), but the puzzle-solving and acrobatic sequences can be stressful because you have a time limit to get from point A to point B. Fighting as the regular Prince is very similar to in the previous two games in the series. You can pick up dropped weapons for use in your offhand, which lets you do more powerful weapon combos against enemies. Or you can vault off walls and poles, and even use the enemies themselves to augment your attacks. The fights are as violent as ever--you can behead or even cut enemies in half with the more powerful moves.
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No previous experience with the Prince of Persia series is required to
enjoy Prince of Persia: The Sands of Time. In fact, virtually nothing
will bar you from being impressed by this extremely well-put-together
action adventure game from the studio that brought you Splinter Cell and
Rainbow Six 3. In stark contrast to Ubisoft Montreal's previous
offerings, Prince of Persia is surprisingly easy, despite the incredible
acts of skill and daring that the game's main character will routinely
perform during the course of the game. As a result, this original,
visually stunning game can be highly recommended to just about anyone.
Prince of Persia: The Sands of Time takes place in a mystical Middle Eastern setting, all bathed in soft, warm light and looking like something straight out of a storybook. You play as a young prince who possesses exceptional athletic and acrobatic skill. Early on in the game, the prince steals the dagger of time, a treasure from a rival nation, as a token for his father the king. When his nation's traitorous vizier compels the prince to use the dagger to unlock another treasure, a huge hourglass, everything goes wrong. The sands from the hourglass blow forth, enveloping the kingdom and turning its guardsmen and citizens into, for lack of a better way to describe it, "sand zombies." The prince, the vizier, and a young woman named Farah are among the only survivors. In the prince's efforts to undo his mistake, he'll join forces with Farah, seek out the hourglass, and confront the vizier. The game's story takes a backseat during most of the game, but it is bookended nicely and is framed as the prince's own retrospection. So, for instance, should the prince fall and die at a certain point during the game, you'll hear him say, as narrator, something like, "No, that's not how it happened." Not only is this an interesting technique, but it compels you to keep pressing on. You'll want to know exactly how his complicated ordeal will unravel.
The prince's new dagger of time has other uses besides causing calamity. It's the key to defeating the evil spread throughout the palace, and it also makes the prince virtually immortal. In most cases, should the prince fall to his death or be slain by a sand creature or a trap, with his last breath, he may use the dagger to "rewind" the course of time to a point prior to the unfortunate incident that would have ended his life. Each time you use this ability, it costs a "sand tank," which you earn a greater quantity of as you get farther into the game, and which you restore by defeating sand creatures. In practice, you won't often run out of sand tanks, but even if you do, you'll restart the prince's story from a recent location.
A highly responsive, very forgiving control scheme further ensures that at no point during Prince of Persia: The Sands of Time will you get particularly stuck, if at all. Though other action adventure games involving a lot of death-defying leaps and other such bravery tend to force the player to perfectly time his or her maneuvers and often force him or her to wrestle with issues concerning the controls or camera perspective, Prince of Persia is set up in such a way that it's remarkably simple to pull off all of the prince's spectacular moves. Also, despite the convincing look of the game's huge environments, the game is completely linear, and the prince's course tends to be very clear. Doors will slam shut behind him, forcing him to press onward, and each time you enter a new area, you'll see a quick fly-through showing where it is you're trying to go and what it is that stands between you and that goal. Additionally, at each of the game's frequent save points, you'll see a "vision" of what lies ahead--a quick sepia-toned montage of the trials and tribulations to come in the next area. You'll soon discover that this is basically a built-in hint system. Should you ever get stuck, just head back to a save point, watch the "vision" again, and you'll probably figure out what you're supposed to be doing.
The prince has a great variety of really impressive moves at his disposal. Like a Mid-Eastern Spider-Man, he can defy gravity to a certain extent, by triangle-jumping from wall to wall, running horizontally along vertical surfaces, balancing on narrow ledges, swinging wildly from ropes or horizontal bars, jumping from pillar to pillar, and more. He's truly the most acrobatic character in a game, to date, and executing his moves is simple and even intuitive. The prince can't be made to accidentally fall; he'll automatically grab the ledge if you walk him off of one, and you can hang on indefinitely. A separate button is used for pulling yourself up as opposed to letting go, so there's no worry of accidentally dropping even when you seem to be hanging on for dear life. And, even when you're balancing on a narrow rail thousands of feet above the ground, should you lose your balance and tip over, you'll always catch the ledge and can pull yourself right back up. All this is maybe a little too convenient, but at least it means you'll be forging ahead rather than constantly tumbling into pits.
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Prince of Persia: The Sands of Time takes place in a mystical Middle Eastern setting, all bathed in soft, warm light and looking like something straight out of a storybook. You play as a young prince who possesses exceptional athletic and acrobatic skill. Early on in the game, the prince steals the dagger of time, a treasure from a rival nation, as a token for his father the king. When his nation's traitorous vizier compels the prince to use the dagger to unlock another treasure, a huge hourglass, everything goes wrong. The sands from the hourglass blow forth, enveloping the kingdom and turning its guardsmen and citizens into, for lack of a better way to describe it, "sand zombies." The prince, the vizier, and a young woman named Farah are among the only survivors. In the prince's efforts to undo his mistake, he'll join forces with Farah, seek out the hourglass, and confront the vizier. The game's story takes a backseat during most of the game, but it is bookended nicely and is framed as the prince's own retrospection. So, for instance, should the prince fall and die at a certain point during the game, you'll hear him say, as narrator, something like, "No, that's not how it happened." Not only is this an interesting technique, but it compels you to keep pressing on. You'll want to know exactly how his complicated ordeal will unravel.
The prince's new dagger of time has other uses besides causing calamity. It's the key to defeating the evil spread throughout the palace, and it also makes the prince virtually immortal. In most cases, should the prince fall to his death or be slain by a sand creature or a trap, with his last breath, he may use the dagger to "rewind" the course of time to a point prior to the unfortunate incident that would have ended his life. Each time you use this ability, it costs a "sand tank," which you earn a greater quantity of as you get farther into the game, and which you restore by defeating sand creatures. In practice, you won't often run out of sand tanks, but even if you do, you'll restart the prince's story from a recent location.
A highly responsive, very forgiving control scheme further ensures that at no point during Prince of Persia: The Sands of Time will you get particularly stuck, if at all. Though other action adventure games involving a lot of death-defying leaps and other such bravery tend to force the player to perfectly time his or her maneuvers and often force him or her to wrestle with issues concerning the controls or camera perspective, Prince of Persia is set up in such a way that it's remarkably simple to pull off all of the prince's spectacular moves. Also, despite the convincing look of the game's huge environments, the game is completely linear, and the prince's course tends to be very clear. Doors will slam shut behind him, forcing him to press onward, and each time you enter a new area, you'll see a quick fly-through showing where it is you're trying to go and what it is that stands between you and that goal. Additionally, at each of the game's frequent save points, you'll see a "vision" of what lies ahead--a quick sepia-toned montage of the trials and tribulations to come in the next area. You'll soon discover that this is basically a built-in hint system. Should you ever get stuck, just head back to a save point, watch the "vision" again, and you'll probably figure out what you're supposed to be doing.
The prince has a great variety of really impressive moves at his disposal. Like a Mid-Eastern Spider-Man, he can defy gravity to a certain extent, by triangle-jumping from wall to wall, running horizontally along vertical surfaces, balancing on narrow ledges, swinging wildly from ropes or horizontal bars, jumping from pillar to pillar, and more. He's truly the most acrobatic character in a game, to date, and executing his moves is simple and even intuitive. The prince can't be made to accidentally fall; he'll automatically grab the ledge if you walk him off of one, and you can hang on indefinitely. A separate button is used for pulling yourself up as opposed to letting go, so there's no worry of accidentally dropping even when you seem to be hanging on for dear life. And, even when you're balancing on a narrow rail thousands of feet above the ground, should you lose your balance and tip over, you'll always catch the ledge and can pull yourself right back up. All this is maybe a little too convenient, but at least it means you'll be forging ahead rather than constantly tumbling into pits.
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PC games reached widespread popularity following the video game crash of 1983, particularly in Europe, leading to the era of the "bedroom coder". From the mid-90s onward they lost mass-market traction to console games before enjoying a resurgence in the mid-2000s through digital distribution.
The uncoordinated nature of the PC game market and its lack of physical media make precisely assessing its size difficult.
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Explosive chickens, adorable as they are, would be pointless without big buildings to topple, and Angry Birds provides more than 200 of them, with more added all the time. You can thoroughly demolish anything from stone castles to glass houses as you punish those evil, egg-stealing pigs.
To play, you simply load up a chicken in your slingshot, pull back while setting your angle, and let go to start the destruction. Angry Birds' gameplay is incredibly easy to understand, and the visual payoff for blowing stuff up is consistently impressive. Blue chickens split up in midair for a spread effect; heavy bomb chickens explode and send structures flying; and egg-laying hens let you deliver a yolky payload directly below.
You always receive the chickens in a particular order, which diminishes some of the strategy. Even though some chickens can be used to set up chain reactions, like using a burrowing hen to soften up a building's stone exterior and then following up with a ticking explosive chicken to blast out the walls--you don't get to do this if you don't get the chickens in this order. Although you might fling your chickens in the same spot each time, the game's sensitive physics system usually gives different results. It's generally impossible to re-create specific trajectories and reactions, so there's some luck involved where obtaining a high score (and a full three-star rating) is concerned. There aren't really any tangible benefits to completing every mission with a three-star score, besides boasting about your score on the online leaderboards, anyway. Angry Birds has some minor issues, but most of the time, you won't notice because you'll be too busy trying to squish pigs and make full use of your chicken arsenal. The game's weapons, physics, and varied levels are really quite excellent, and they make this military-farm-complex a whole lot of fun.
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Monday 22 July 2013
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Gameplay is divided into two portions: base management and combat scenarios. Near the beginning of the game, you select a location for your base of operations from one of several possibilities. The choices are more limited than the ones in the original X-COM, and this is the only base you manage through the course of the game. If you're a fan of the original, being limited to a single base might seem cause for concern, as might the subsequent loss of the oft-challenging base invasions. It may not share the full breadth of the game that spawned the franchise, but it would be difficult to accuse Enemy Unknown of "dumbing down" the core gameplay. Nevertheless, if you crave a relentless challenge (if not quite as relentless as the nail-biting X-COM: Terror From the Deep), you should play on classic difficulty, rather than the default difficulty level.
And so there are some changes to adjust to, but once Enemy Unknown is in full swing, you will be enthralled by its turn-based combat missions. Upon learning of an alien threat, you select units from your barracks to fill out your squad, and you are whisked to the point of contact. You eventually command up to six squad members--and in time, you might replace them with robotic SHIV units--but even in the early hours, the eerie atmosphere and faint sounds of skittering alien feet get you immediately invested. Upon discovery, the aliens are introduced with a burst of discordant music and a close-up of their ugly faces, and thus the stage is set for battle.
In XCOM: Enemy Unknown, victory is sweet--but it's so much sweeter when it arrives after a heart-wrenching standoff. With each turn, the newest entry in this beloved strategy series heightens the sense of tension, and each defeat of a hovering alien craft thus becomes cause for celebration. But don't get too intoxicated by the faint scent of triumph: nothing is certain until you've ripped your last enemy to shreds. Getting cocky and rushing ahead is a fool's strategy, and until the alien threat is eliminated, your guard must remain up. n XCOM: Enemy Unknown, victory is sweet--but it's so much sweeter when it arrives after a heart-wrenching standoff. With each turn, the newest entry in this beloved strategy series heightens the sense of tension, and each defeat of a hovering alien craft thus becomes cause for celebration. But don't get too intoxicated by the faint scent of triumph: nothing is certain until you've ripped your last enemy to shreds. Getting cocky and rushing ahead is a fool's strategy, and until the alien threat is eliminated, your guard must remain up.
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Creative Assembly’s demo of Total War: Rome IIUsing these deployables to repel attackers isn’t as easy as it
sounds. “If you place them in the wrong place, they’ll be totally
useless to you,” Ferguson said. “It relies on a certain amount of common
sense from the player.” He also described how using some elements can
backfire on the player, citing how war elephants can run amok. “They go
completely out of control but get much tougher,” he said. “The result of
that is that they can smash through not only the enemy units, but yours
as well. And you have to choose if you want to destroy them or not.”
In the case of the flaming boulders, they weren’t always effective. While some crushed the attacking Roman troops, others veered off course down the hillside. But when they worked, they did some serious damage.
More victory conditions
While past entries of Total War have had rigid victory conditions, Rome II will feature three distinct ways to win: military, economic and cultural victories. Any of the three can be achieved on the fly, giving some players the chance to switch up tactics depending on how the ages have treated their empire.
“These aren’t picked from the start,” Starr said. “There’s no pressure. No one ever told Rome, ‘Hey, you only have 200 years. Get to work.’”he victory options mean more opportunities for the game to fit a specific player’s style. Some players will min/max their way to an economic victory, assuming everything goes their way. In other cases, Ferguson says, the additional victory options will help a player who may feel stuck because of forgotten victory requirements. Trying to control the most territory, but forgot about an obscure island? You may not have to start over if your cultural influence is great enough. Another element that can affect your victory is the optional Realism mode, where players will be unable to reload save games. Realism mode also limits certain Battle mode user interface elements, like details on enemy units or their location.
Political scheming
Since Rome II is recreating the feeling of running the Roman empire, adding a level of political influence (or political backstabbing) sounds natural. Each faction will have a number of political parties that players can choose to deal with. Rome, for example, will have three families looking to exert influence, as well as the senate with its own agenda. Using members of these parties in your battles will add further power not just to the unit, but to the political party as well. Players can balance this political ca“The balance in political power is constantly shifting,” Starr said. “If there’s an imbalance, whether you become too powerful or too weak, you’ll find yourself in a civil war.” And for the other factions, that political balancing act means trying to keep the power you have, without having another group overthrow you. Players can also spend this political capital to adopt powerful generals into the family, or marry off children to appease groups that are growing dangerously close to influential. Ferguson says that the political system won’t feel like a micromanaging mess, but that the interface will alert you to political events and let you decide to deal with them or not.
pital between the different families or choose to favor their own—with all of the consequences that may bring. left us wanting more. Large-scale battles over huge landscapes, powered by an overhauled campaign system, are a given for the sequel to Rome: Total War. But the devil’s in the details: Here are the three new mechanics in Rome II that got us eager to play.
Defensive deployables
The battle I witnessed pitted Caesar’s Roman army against the Egyptians, who held the high ground. One tactic the Egyptian army employed was flaming boulders, which were rolled downhill to decimate the Roman legionnaires. These are one of many defensive deployables Creative Assembly has added to help defending armies challenge aggressors. I spoke with Jamie Ferguson (lead battle designer) and Dominique Starr (campaign designer) from Creative Assembly, and between them I heard about caches of poison arrows, stakes that impale cavalry, sharp stones to stall enemy advances and hidden fire pits that light front-line assault troops ablaze.
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Sunday 21 July 2013
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With the shooting displaying such finesse, it's a shame that the story doesn't quite reach the same levels of quality. But that's not to say it's entirely without merit. There are moments when it's deliciously sharp and witty, its tongue firmly in cheek as narrator and protagonist Silas Greaves tells of his adventures through the Old West via a series of flashbacks, rewriting history in the progress. Famous outlaws like Butch Cassidy, the Sundance Kid, and Billy the Kid make appearances, and sometimes disappearances too, as Greaves forgets parts of his stories and throws outlaws in and out of each of the short levels at will. There are even a few nods to the dumbness of video game mechanics that raise a chuckle and let you know that Gunslinger isn't taking itself too seriously.
Outside of those cheeky moments, some crisp animated cutscenes, and the hearty Southern drawl of Greaves, the story offers little in the way of surprises, building as it does to a predictable conclusion. Still, the onus here is on the shooting, and Gunslinger is an undoubted success in that regard. Each level is constructed like an old-school pop-up shooting gallery, with crazed cowboys aplenty for you to take aim at. The use of cover and height around each level is impressive, not because it's particularly sophisticated, but because it gels so well with the fast-paced shooting. You're constantly kept on your toes and behind your iron sights as you scan behind every rock and up to every water tower to pick off pesky cowboys.
Do so quickly enough, and you begin to rack up a score multiplier. This proves to be very compelling, and tons of fun. The satisfaction of nailing a 10x multiplier with some wonderfully quick shooting as you dash behind cover cannot be overstated. And Gunslinger just gets better with each level as enemies move more quickly and rattle off more bullets, forcing you to up your game and become ever more proficient with your weapon of choice. By the end, you feel like you've developed some accomplished six-shooter skills, even if they are limited to the virtual world. And as an added incentive, in the story mode, any points you earn are converted to experience points, which you can use to buy new skills such as quicker reloads or the ability to slow down time when you look down a gun's iron sight.
There are special, super-shiny guns to unlock too, but the majority of weapon types can be found in each level. And while the weapon selection isn't vast, it is sensible, giving you enough variety to fine-tune the action to your own style. Like to pick off enemies from afar? Arm yourself with a rifle for long-range shots, and back it up with a quick-fire six-shooter for closer combat. Like things up close and personal? Saddle up with a sawed-off shotgun and a pair of powerful Ranger revolvers for some messy takedowns. Or, if you just feel the need to blow stuff up, light a few sticks of dynamite and watch your enemies fly.
The excellent shooting is capped off with the series' trademark quick-draw duels. The system has been tweaked slightly so that instead of following the footsteps of your opponent, you have to keep him within a target reticle to increase focus, while also keeping Greaves' trigger finger as near to his pistol as possible for a faster draw. It's a precise, fun system that's a great counterpoint to the fast-paced action that precedes each duel. If only every boss battle in the game worked this way. Sadly, there are some frustrating sequences where you're forced to face off against bosses armed with Gatling guns. Your only recourse is to spam dynamite at them from behind cover and hope for the best. Any other move results in a frustrating instant death.
Such frustrations aren't enough to sour Gunslinger, particularly when they disappear altogether in arcade mode. There, you're treated to short, timed levels where your goal is to rack up as high a score as possible as quickly as you can. These are an absolute blast to play through, distilling everything that's great about Gunslinger's combat into short bursts of action. And it's their very shortness that makes them so compelling, letting you quickly replay levels to rack up the biggest multipliers, and perfect every high-scoring headshot. There's a similar mode for duels too, where you're judged on the accuracy and speed of your shots. Both modes link to online leaderboards, so if you're the competitive type, prepare to sink hours into beating your friends, or making your way into the top 10.
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Saturday 20 July 2013
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Fifa 2013 pc game download free full version
Indeed, some of FIFA 13's new marquee features are mere tweaks of those introduced in FIFA 12, one of which is the infamous player impact engine. It has been overhauled in an attempt to reduce those odd, fumbling, and sometimes-hilarious collisions that players made as they bounced over each other on the pitch like rag dolls. But while there's certainly a noticeable improvement in the physics system, with far less slipups, it's not infallible; there's still the odd glitch here and there as players do inhuman backflips over others and flop along the pitch like weird anthropomorphic fish.
Better are the changes to the dribbling system, which have been inspired by the work done on FIFA Street. Now you can swirl the ball around a player's feet using the analogue stick, teasing defenders with cheeky dummies, stops, and skilful flicks. Pulling off such manoeuvres is so very satisfying, and this system works great with another tweak that means players no longer have to face the direction in which you want them to dribble. This makes play look and feel much more natural, letting you actively shield the ball or ensure that you're always facing the goal when zipping around defenders for the perfect strike.
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Need for speed Rivals pc game download free full version
In an interview with IGN, EA Labels president Frank Gibeau explained why he thinks Rivals stands out from the pack, plus commented on whether he thinks Need for Speed will continue to be an annualized franchise.
A lot of the driving games we go up against are simulations. The way
that we think about it internally is, that’s like going to the symphony.
Ours is about going to a Jay-Z show.
“I think we do a really good job capturing the feel of driving and
getting the chase-or-be-chased feature,” Gibeau told IGN about Need for
Speed. “A lot of the driving games we go up against are simulations. The
way that we think about it internally is, that’s like going to the
symphony. Ours is about going to a Jay-Z show. It’s rock and roll. It’s
in your face. It’s a lot more about the visceral feel of driving through
a billboard, doing a jump, but doing it in an authentic car, a car that
looks and feels like a 911 should drive. We like to tell the stories of
cops and racers. We like to tell stories in an open world. We think
that the racing category, it used to be like 20 percent of the business
back on the PS2. Now it’s single digits as far as a percentage of the
overall business. We think that there’s a lot of innovation required to
continue to keep driving as a category expanding. We think it’s the open
world approach. We think it’s the competition approach. We think it’s
the multiplayer approach.”“Unfortunately, racing games got to a point where you’d have 16 people ready to go, and after the first lap, 15 people didn’t care anymore,” he continued. “They’d crashed or they were far behind. It was like an F1 race with Michael Schumacher. There’s just no point. We think that having an open world where you can mingle racing, have quests and adventures to go jump through stuff and do different things, that’s the way to start re-broadening the racing category and bringing in a larger audience. We saw a lot of good feedback in that respect on Most Wanted. If you look at Rivals this year, it builds on the open world. It’s more of a country open world, as opposed to an urban open world, but we’ll look at how we create the experiences in a much more open world. It’s competition-based, but authentic to the cars. We like that idea.”
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Thursday 18 July 2013
Tomb Raider pc game download free full version
As Tomb Raider begins, Lara is more an academic than an adventurer. But when she's shipwrecked on an island full of ancient secrets and deadly cultists, she has little choice but to learn how to survive. Lara endures a great deal of punishment early in the game, and though no small amount of that anguish is physical, it's an unpleasant moment in which a man tries to force himself on her that's most harrowing. But as unpleasant as it is, it marks an important turning point in Lara's understanding of just how hard she has to fight to survive. Rather than crumbling under the weight of her physical and emotional struggles, she emerges from them a stronger person.
It's empowering to witness Lara's journey from the understandably fearful individual she is when she first arrives on the island to the justifiably confident survivor she becomes. Later in the game, when she has proven to the resident cultists that she's not the easily cowed person they mistook her for, she turns the psychological tables on them, letting loose battle cries to strike fear into their hearts. Aspects of the story that fall outside of Lara's character arc aren't as strong; there's a twist of sorts that occurs late in the game that you see coming hours ahead of time, for instance, and the central villain offers little in the way of nuance. But as an introduction to the legendary Lara Croft, Tomb Raider's tale is a success; she emerges as a strong, charismatic and human figure, and you're left eager to see what the future holds for her.
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Bioshock infinite pc game download free full
What drives a man of God to wash away the sins of his past, only to blacken his heart with a multitude more? How far can a freedom fighter be pushed before virtue and righteousness are replaced by a lust for vengeance? What does a privileged society do when the foundation of its prosperity is shaken? BioShock Infinite dares to explore these heady themes and many more, giving you glimpses at just how the seemingly smallest of decisions can forever alter our realities, and our hearts. As an agent provocateur in the fantastical floating city of Columbia, your actions bring turmoil and strife to an ostensibly idyllic landscape. It's immensely fun to stir up trouble, and even more engaging to see how boldly BioShock Infinite portrays a society torn asunder. You'll be haunted by this thematically devastating adventure, and indeed, its phenomenal final minutes, which are bound to be discussed and dissected for some time to come.
It starts with a lighthouse. As former private investigator Booker DeWitt, you enter this lighthouse knowing that you have been hired to retrieve "the girl"--but who this girl is, and who hired Booker, remain a mystery, if not to Booker, than at least to you. At the top of that lighthouse is a chair, and once strapped into it, Booker is fired into the stratosphere, toward the city in the sky called Columbia. And what a fitting name for this hyper-American domain of 1912, which incorporates the classical architecture of the 1893 Columbian Exposition. The red, white, and blue Columbian flag flies from spires across the city, and statuaries and bas-relief panels immediately evoke the sense of old America.
The buildings of that 1893 exposition were part of an area known as The White City, and here, too, Columbia lives up to the name of its inspiration--not just in the whiteness of its buildings, but in the whiteness of its racial structure. At a key early moment, you confront the festering illness corrupting this porcelain-white culture, where anyone whose skin is not the ideal color is ostracized and enslaved. You also confront one of BioShock Infinite's many core mysteries: What is the nature of the brand on Booker's hand? In Columbia, the brand is a mark of the false shepherd, this culture's version of the Christian Antichrist and the 666 that marks him. Identified as a prophesied fiend, Booker has no choice but to run.
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Metro last light download free full version pc games
Last Light returns you to a Moscow devastated by nuclear war. Humanity, hoping to avoid the dangerous radiation and hideous mutants plaguing the surface, has banded together in the underground metro system. Depending on how you played, Metro 2033 might have allowed you to make an important choice at the game's conclusion.Last Light assumes you chose to destroy the creatures known as The Dark Ones, scorching their home with missiles and scouring them from the face of the Earth. But a creature remains, and as returning protagonist Artyom, you must find this remnant of a race thought extinct, this remnant of a decimated species, though it's unclear whether the right decision is to destroy it or to try to communicate with it. Your Ranger allies certainly desire its annihilation, but Artyom's unique connection to the Dark Ones gives him pause and he is nagged by guilt about the devastation he has wrought.
Artyom's dilemma brings a sense of personal struggle to a game fraught with brooding emotion. Metro: Last Light punctuates your adventure with moments of dread and shock, as well as with occult visions that make the past come alive before your very eyes. Supernatural themes intertwine with conflicts between underground factions, the horrors of each element providing two equally macabre sides to a single coin. In the confines of the metro, betrayal is common and trust is a commodity. Here, your greatest enemies are your fellow humans, who are unafraid to cheat and steal if it means gaining favor from the right people. On the brutal surface, the beasts are your primary concern; at any moment, a wailing winged demon might snatch you with its talons, soar into the air, and drop you into the murky water, far from where your horrific flight began.
Yet fear isn't the only emotion Last Light stirs. The final moving hours raise the emotional stakes and test your allegiances by forcing you to confront the consequences of your own choices. Story sequences are absorbing, and typically occur within the game engine and in first-person view, keeping you strongly connected to the events unfolding before you. The most enthralling scenes, however, are those that occur within the context of gameplay. Many interactive sequences--a hypnagogic walk down a blood-red hallway, a survey of an airplane's nightmarish wreckage--relate vital events without removing you from the moment, which makes them hellishly palpable.
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the walking dead download free full version pc games
The structure is different from that of the first season of Telltale's Walking Dead episodes, more akin to a collection of linked short stories than the novel-length saga of Lee and Clementine. The story pivots around a highway truck stop and restaurant somewhere down in Georgia. Vignettes recount the travails of five different characters over the first 400 days since the dead got up for a snack. These mini-episodes can be played in any order you choose, so you bounce back and forth chronologically between moments like witnessing the beginning of the end in a prison bus and being terrorized in a truck by a man driven crazy by 184 days of zombie fun.
All of these stories stand on their own as particularly horrific snapshots of what it is to have survived the end of the world. Every episode centers on one or more impossible choices that are even more unforgiving than those in the first season episodes. The whole game is loaded with heart-wrenching choices, and the short-story structure and brief running time--90 minutes at most--also means that the game works you over like a speed bag, rabbiting you with one gut-check after another. By the time that the game ends, you're worn out.
All of the individual stories come together in the end, too, recounting how a group of survivors got together. The characters here are given real depth, so you come to care about the entire cast even though you're spending no more than 20 minutes with the leading actors in each story. Dialogue is never forced, to the point where you often feel like you're eavesdropping on the lives of real people.
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Wednesday 17 July 2013
Tony Hawk's American Wasteland Download free full version pc game
Don't let the recent name changes fool you. Tony Hawk's American
Wasteland is the seventh Tony Hawk game developed by Neversoft in as
many years. Over the years the series has had installments that made
dramatic changes to the formula, but the more recent installments have
focused less on gameplay or structural changes and more on including a
story. American Wasteland is the game that finally makes good on the
story thing by offering a plot that's far more interesting than it's
been in the previous two games. It also attempts to put all its levels
together into one big take on Los Angeles that's free from loading
times. That part doesn't work out quite as well as the back of the box
would have you believe, but the real issue with American Wasteland is
with its gameplay. You'll find the requisite handful of new tricks, but
most of the story mode feels like a brief tutorial, and the classic mode
isn't deep or long enough to hold the attention of series veterans.
It's got more of the same fluid skating gameplay you've come to expect
from the series, but the game's over almost immediately.
Story mode puts you in the role of a nameless skater from the Midwest
who's given up on living in the middle of nowhere. Tired of being
hassled by The Man, you run away to Los Angeles with dreams of skating
in the area where skating all began. Things are going fine until just
after you step off the bus, which is where you get jumped by some toughs
who make off with your gear. A raspy-voiced girl named Mindy takes pity
on you and sets you off in the direction of an adventure that sends you
all around the city of Los Angeles, where you'll thrash, skate, and
destroy as you find a crew of squatting vandals to call your friends, a
skatepark to call your own, and...an alien costume. When you first
start, you'll be a pretty weak skater. Most of the moves you've come to
expect from the series, like manuals and reverts, won't even be
available to you until you learn them. You'll learn most of the basics
pretty quickly, but it'll take a little while before you learn to use
special tricks, flatland tricks, and focus.
You'll also learn the game's new tricks, like the bert slide, which is the ground-based, surfing-like maneuver brought back to the skating hive-mind by Dogtown and Z-Boys. You can also get off your board and swing it at pedestrians, which isn't terribly useful, and you can learn some freestyle running techniques for wall climbing, flips, and so on. You can also find and ride BMX bikes in the game, which come up in a couple of goals but are mostly there for you to earn money, which you'll need at various points in the story. The BMX bike controls are vastly different from the skating controls, and they're surprisingly well-thought-out. You'll hold a button to pedal, steer with the left analog controller, and perform tricks with the right. Also, some tricks are left up to you to put together. A flair, for example, is a backflip and a 180 turn combined. Bike games have traditionally just mapped that to a button and a direction, just like any other trick. Here you'll have to do a backflip and a 180 at the same time to get credit for a flair. The BMX stuff is minor, overall, but it's an interesting diversion.
Few of these new tricks really matter, because most of your goals in story mode simply ask you to quickly grind or natas-spin on an object or wallplant or sticker-slap something while watching the fun. Most of the game's goals are based around the skate ranch, an area found just off Beverly Hills that's mostly a large empty dirt lot with a halfpipe in it. One of the major thrusts of the story is your crew's desire to trick out the ranch, so you'll always have goals that involve you busting out a piece of the city so that it can get added to the ranch. There are a lot of different pieces to add to the ranch, but since most of them are required goals that get the story moving again, you won't have to go out of your way to get them. You'll have a few things to do in the skate ranch itself, but it's mostly just there for show and for free skating.
The main problem with the game's goals is that they're ridiculously straightforward and leave nothing to the imagination. If you need to grind some support cables to loosen a sign on top of a theater, the game sets you down directly in front of those support cables. After you grind them, the game will ask you to pull off a wallplant on the sign itself. Again, it drops you into the exact position to pull it off. The game really seems bent on holding your hand every step of the way. While forcing you to go out of your way to line yourself up might not be the most fun thing in the world, the way THAW is set up makes the entire story mode feel like a tutorial. If you've kept up with the Tony Hawk series over the years, you'll nail most of the game's goals on your first or second try. While it has a "sick" difficulty mode that's meant to make the game more challenging, it still lines you up just right, and it still forces you through all the early move-learning tutorial stuff. It's decidedly un-sick.
The saving grace of the story mode is that the story it tells is actually pretty good. It follows the standard "ragtag group of misfits' struggles to save the place they call home from evil real estate moguls" plot that drove such classic films as Breakin' 2: Electric Boogaloo. But along the way, the characters become a little endearing, and most importantly, the game doesn't beat you over the head by shoehorning the pro skaters in whenever possible. When you finally do start encountering the game's pros, you do it in a way that feels natural, which is great. That said, the plot's got some holes, and the game's last mission hits you unexpectedly, exacerbating the game's short feel. If you were any good at playing previous Tony Hawk games, you'll probably be done in four or five hours.
A big part of the story mode is that it tries to present the entire city to you as one large skateable environment with no load times. That's true in theory, but it's not nearly as pure as it may sound. The city's levels are all separated by tight hallways you have to skate through to change areas. So you're technically still in control, but these hallways are lame and pointless and really might as well just be load screens. The game starts to load the new area when you enter the connecting area, which occasionally causes some stutters and skips in the frame rate. If you want, you can catch a bus from area to area, which saves you the hassle of having to skate from one end of LA to the other. Since you can walk around the bus while the interior of it shakes onscreen, this technically isn't a load time, right?
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American Wasteland tells a pretty good story, but the gameplay is really starting to lose its luster.
You'll also learn the game's new tricks, like the bert slide, which is the ground-based, surfing-like maneuver brought back to the skating hive-mind by Dogtown and Z-Boys. You can also get off your board and swing it at pedestrians, which isn't terribly useful, and you can learn some freestyle running techniques for wall climbing, flips, and so on. You can also find and ride BMX bikes in the game, which come up in a couple of goals but are mostly there for you to earn money, which you'll need at various points in the story. The BMX bike controls are vastly different from the skating controls, and they're surprisingly well-thought-out. You'll hold a button to pedal, steer with the left analog controller, and perform tricks with the right. Also, some tricks are left up to you to put together. A flair, for example, is a backflip and a 180 turn combined. Bike games have traditionally just mapped that to a button and a direction, just like any other trick. Here you'll have to do a backflip and a 180 at the same time to get credit for a flair. The BMX stuff is minor, overall, but it's an interesting diversion.
Few of these new tricks really matter, because most of your goals in story mode simply ask you to quickly grind or natas-spin on an object or wallplant or sticker-slap something while watching the fun. Most of the game's goals are based around the skate ranch, an area found just off Beverly Hills that's mostly a large empty dirt lot with a halfpipe in it. One of the major thrusts of the story is your crew's desire to trick out the ranch, so you'll always have goals that involve you busting out a piece of the city so that it can get added to the ranch. There are a lot of different pieces to add to the ranch, but since most of them are required goals that get the story moving again, you won't have to go out of your way to get them. You'll have a few things to do in the skate ranch itself, but it's mostly just there for show and for free skating.
The main problem with the game's goals is that they're ridiculously straightforward and leave nothing to the imagination. If you need to grind some support cables to loosen a sign on top of a theater, the game sets you down directly in front of those support cables. After you grind them, the game will ask you to pull off a wallplant on the sign itself. Again, it drops you into the exact position to pull it off. The game really seems bent on holding your hand every step of the way. While forcing you to go out of your way to line yourself up might not be the most fun thing in the world, the way THAW is set up makes the entire story mode feel like a tutorial. If you've kept up with the Tony Hawk series over the years, you'll nail most of the game's goals on your first or second try. While it has a "sick" difficulty mode that's meant to make the game more challenging, it still lines you up just right, and it still forces you through all the early move-learning tutorial stuff. It's decidedly un-sick.
The saving grace of the story mode is that the story it tells is actually pretty good. It follows the standard "ragtag group of misfits' struggles to save the place they call home from evil real estate moguls" plot that drove such classic films as Breakin' 2: Electric Boogaloo. But along the way, the characters become a little endearing, and most importantly, the game doesn't beat you over the head by shoehorning the pro skaters in whenever possible. When you finally do start encountering the game's pros, you do it in a way that feels natural, which is great. That said, the plot's got some holes, and the game's last mission hits you unexpectedly, exacerbating the game's short feel. If you were any good at playing previous Tony Hawk games, you'll probably be done in four or five hours.
A big part of the story mode is that it tries to present the entire city to you as one large skateable environment with no load times. That's true in theory, but it's not nearly as pure as it may sound. The city's levels are all separated by tight hallways you have to skate through to change areas. So you're technically still in control, but these hallways are lame and pointless and really might as well just be load screens. The game starts to load the new area when you enter the connecting area, which occasionally causes some stutters and skips in the frame rate. If you want, you can catch a bus from area to area, which saves you the hassle of having to skate from one end of LA to the other. Since you can walk around the bus while the interior of it shakes onscreen, this technically isn't a load time, right?
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Diablo 3 pc game download free full version
You begin your quest just after what appears to be a flaming star falls from the heavens and crashes into the cathedral in Tristram, the doomed town where the events of Diablo took place. This cosmic occurrence has the unfortunate side effect of reanimating the dead, and the people of New Tristram find themselves besieged by corpses long ago put to rest. Diablo III's story is unremarkable, but it weaves in plenty of references to and appearances by characters from earlier games and enriches the established lore of the series. Fans of Diablo and Diablo II will immediately feel drawn into this world.
You certainly don't need any familiarity with the series to jump right into Diablo III, however. If you've played earlier games, you'll likely get even more out of Diablo III--the music that plays in the New Tristram area may send nostalgic shivers down your spine--but the gameplay is welcoming and easy to grasp for vets and newcomers alike. You choose one of five character classes, and though they become quite distinct at later levels, they all start with nothing but basic offensive skills that are performed with clicks of the mouse.
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Defiance pc game download free full version 2013
Look beyond the hitches and the jittering frame rates, and you discover a game with a scrappy attitude and a tight handle on what a massively multiplayer world needs to keep you coming back in spite of the frustrations. What is this world? Well, it's Earth, as it happens--more specifically, the San Francisco Bay Area. An alien war has ended, and an uncertain peace between exhausted factions remains. The decrepit remnants of an annihilated fleet of spaceships orbit the planet, occasionally plummeting to the land beneath, and drawing in treasure hunters eager to scour the remaining debris for valuable commodities. Terrestrial and extraterrestrial plant life have merged, causing bizarre purple flowers to grow from the gnarled branches that corkscrew above crumbling highways and rusting copied-and-pasted factories.
You shouldn't come to Defiance to be immersed in the world, which looks too monotone to be all that compelling. Ruinous environments can have their own kind of disastrous beauty, but this vision of Earth lacks the tense atmosphere and visual variety of gaming's best ravaged lands. You might become invested in this world in spite of its mundane looks, however, depending on your level of interest in the SyFy television show of the same name. Story-based missions feature the vague likenesses of characters from the show, and future story missions are promised, but stiff facial animations and inconsistent voice acting--not to mention a lot of cheesy (in the bad way) dialogue--make it hard to whip up any excitement over the narrative in spite of an abundance of cutscenes.
Massively multiplayer online games have trod in alien territory before, though MMOGs remain a rarity on consoles. Nonetheless, Defiance’s structure is a familiar one. The game pushes you from from one task to the next, having you clear meadows of giant hellbug swarms, free captured prisoners from their bonds, collect data from computer terminals, and so forth. You perform most of these missions in the open world, though key assignments might send you into instanced areas meant only for you and your groupmates.
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Sid Meier's Civilization V download free full version pc game
Probably one of the biggest changes is Brave New World's inclusion of trade routes. In the past, international trade was handled solely by agreements between two heads of state and formed the core of the game's diplomacy system. Now, trade routes establish the new foundation for international relations. You have the option of building caravans and cargo ships and then either shipping supplies to and from your own cities or trading with other rulers and city-states. Distant civilizations and those with different luxury resources yield higher profits, but are vulnerable targets for hostile forces. Significant investment is necessary to reliably safeguard your income sources during the early game, but the trade-offs can be highly beneficial.
Much like the soft power exercised by real-world economic cooperation, the full potential of trade is elegantly subtle. Science, religious influences, and some cultural effects are also transferred via trade routes. If, for example, your civilization is significantly more advanced than the one with which you are trading, your advantage slowly begins to disappear as your trade route grants huge research bonuses to your trade partner. Similarly, religious pressure is transferrable and can be used to great effect if you're looking for a clever method of picking up converts. Additionally, if your favored stratagem in Civilization revolves around rapid expansion of your empire, then internal trade routes can be used to transfer food and production resources to new cities, allowing you to rapidly build up defenses and boost population growth.
Cargo ships are worth quite a bit more to raiders than caravans, and historically, merchant fleets have been the fuel of the world's mightiest powers. The oceans can be a big place, however, and even in the later stages of the game when you have aircraft carriers and battleships at your disposal, guarding several thousand miles of transoceanic routes can be taxing. What it does do, however, is provide a rare excuse to build and maintain powerful naval forces. This update not only brings Civilization in line with one of the more critical elements of history, but it does so in such a fun, unique, and genuinely creative way that the whole system couldn't feel more natural and fundamental to play.
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The last of us download free full version pc game
One night the heart of society beat loud and strong; the next it was silent. The outbreak happened so quickly that there was no quarantine plan in effect. Infected monsters crashed through their neighbors' windows, smashed the doors to splinters. Husbands and wives, brothers and sisters, dead before they could react, or worse. Maybe they became one of the infected. The virus spread through major cities and suburbs, and the military, with all of its training and weapons, was powerless to stop the epidemic. Joel is just one man amid a sea of people whose lives have been destroyed by the infection, but who still cling to life. Though he never asked for such power, he now holds the key to saving the world.
Joel is introduced the night society falls. He stays out late and works questionable jobs, all while his daughter waits patiently for his return home. He's distant, physically and emotionally, which makes it difficult to empathize with him. His actions are often repulsive, as inhuman as the zombies he must fight. The door to his heart is sealed shut. The Last of Us shines a light on the nastiness that only surfaces in humans who have nothing to lose. Rather than overcoming these limitations, Joel is crushed by them. He's unlikeable to his very core, a man who spits out angry words and appears to harbor even more sinister thoughts that remain unsaid. He kills because everyone must kill. But he kills with such fury that it disgusts even those who are used to this violence.
Joel, already accustomed to a life of brutality and focusing on his own needs, has partnered with a woman of a similar disposition. Tess is a badger let loose from a cage. To cross her path is to sign your own death warrant. She, like so many of the characters in The Last of Us, has a one-note personality that allows little room for a more nuanced interpretation. Her independence and ruthlessness are thrust to the forefront; empathy and humanity are nowhere to be found. Such flimsy characterizations erect an emotional barrier for the first few hours of this adventure. The postapocalyptic world is not interesting enough on its own to draw you in. Without any sympathetic characters to latch on to, you are left with little attachment to this pack of selfish animals.
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Tom Clancy's Splinter Cell: Blacklist download free full version pc game
In taking the reins of Fourth Echelon, Sam has assembled his own small intelligence team. It's a unit that operates not in an office park in Langley, Virginia, but in a flying spy plane. Said spy plane is called the Paladin, and it essentially functions as the mission hub. On a basic level, it's where you peruse intel reports before launching the next ground operation. You can see which missions are available, what they entail, and what sort of threat to your existence they pose. That sort of thing.
But there's more to the Paladin than simply launching the next mission. For one, you can walk around the plane and start up conversations with your team. There's Grim, the redhead who shares a complicated history with Sam; Briggs, the guy who tags along with Sam on missions to act as ground support; and Charlie, the tech whiz who doubles as comic relief. What's impressive about the game's presentation is that you really get the sense that this is a team, complete with all the tension and occasional attempts at lightening the mood that you'd expect from such a high-stakes operation.
Taking the time to talk with your crew presents a few different options for Sam. Each member of your team will occasionally suggest a side mission that you're free to accept or turn down at your leisure. Beyond that, you can also talk to your teammates to upgrade your operation with all the cash you've earned from your latest mission.
Talking to Grim allows you to upgrade various parts of your plane, from radar technology that will improve the information displayed on your HUD during missions, to cushy holding cells that will induce your captives to inform you of black-market weapons dealers. Then there's Charlie, who will upgrade the gear you bring on your mission, such as new weapons and gadgets, as well as various outfits tailor-made for stealthy or aggressive approaches.
That whole economy of upgrades and enhancements is heavily influenced by your play style. The game tracks your style according to three classifications: ghost, panther, and assault. Ghost is the quiet, nonlethal approach that favors knocking people unconscious if a fight must occur; panther is similarly silent, but in a lethal, silenced-handgun kind of way; and the assault approach has you going in with guns blazing, setting off every alarm in the mission. Simply completing a mission in a sloppy, haphazard way will get you some cash (see: assault), but sticking to the ghost or panther play style will net you far more extra rewards and cash.
Curious to see how far I could distance myself from last year's blood-soaked E3 demo, I spent my time taking the ghost approach. It's a far more challenging route to take than the other two, but Sam has plenty of equipment to tilt the odds in his favor, from sleeping-gas grenades to a silent crossbow equipped with several different types of bolts. The latter was especially fun to use, whether I was firing an electrically charged bolt that zapped enemies to sleep or luring enemies out of my path by firing a noise-making bolt into some distant corner.
In my attempts to no-kill my way through the demo, I was a little disappointed to see that there was at least one story-driven sequence that forced me to kill people when a rescue operation went sideways. Though, to be fair, in the two missions I played (one in daytime Benghazi and the other in dark, rainy London), those moments of forced lethality made up a very tiny portion of the demo. Overall, it was reassuring to see that the stealth system in Blacklist remains open to different play styles--and being rewarded in cash to upgrade my flying spy bird for focusing on one of the more challenging approaches is a nice touch.
Perhaps I was a bit quick to write off Splinter Cell: Blacklist as another example of Ubisoft blurring the lines between its major franchises. Sure, there's something initially jarring about just how easily Sam Fisher can dash up walls and scurry along ledges. But this isn't simply Splinter Cell meets Assassin's Creed. It's a bigger, far more interesting game than that.
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Star wars 1313 download free full version pc game
The representative we spoke to said that this was not a decision made in haste, and a possible closing of LucasArts had been being evaluated since Disney acquired the publisher as part of the Disney/LucasArts deal in October, 2012:
"All of these things happened at once. Naturally, as any company that goes through a big announcement like this, you have to look through your whole portfolio and realign some things. 1313 was looking fantastic, the reception has been great. Our other unannounced titles are fine, it just got to a point where from a business standpoint we couldn't continue developing those internally and keep up with the direction that the company was going."
Website Kotaku is reporting that 150 LucasArts employees have been laid off, and that the games Star Wars: First Assault and Star Wars 1313 have been cancelled. However, the representative we spoke to said that the company is also evaluating its options regarding projects currently in development, which could be licensed out to external development and publishing partners:
"It is worth noting that we are looking for proven external partners who can help us provide video games to our fans. We still believe in the video game industry, we still will provide Star Wars games, we're just looking at different models rather than internal production... They're evaluating everything. There's always a possibility that it [Star Wars 1313] can still come out via licensing."
The representative also remarked on the general mood at the studio today, which, understandably, is not upbeat:
"It's super sad. It's a terrible day. I want to make sure everyone realizes that there still will be Star Wars games out there."
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